Sophomore year of college I took a class on Sex and Sexuality in US Pop Culture. 
 For my final paper, I wrote about depictions of single white women in 
film throughout the twentieth century.  Since then it has been nearly 
impossible for me to watch movies or TV shows without analyzing the 
characters, if only to myself.  (After watching He's Just Not That Into You
 with my mom and sister, I learned that maybe analyzing out loud is not 
as much fun for other people as it is for me.)  I watch a few TV series 
regularly and in the past couple years I've been disappointed in the 
women on some of my favorite shows.  I have strong female role models - 
my mom, sisters, friends and teachers - but I still like to see great 
female characters in fiction.
Then
 the storyline begins to change.  Pam fails one of her classes, and 
rather than stay in NYC for another three months she returns to her old 
job in Scranton and her boyfriend Jim Halpert.  Fine - long distance 
relationships are hard and who didn't want to see Pam and Jim in the 
same city again?  Let's ignore the fact that Scranton is only two and a 
half hours from NYC and Pam could possibly have found classes at a local
 college back home.  Pam continues to grow, just in a different 
direction: she joins the Michael Scott Paper Company as a salesman.  
When she later re-joins Dunder Mifflin, she continues to work in sales. 
 Pam is moving up, demanding a more lucrative and challenging career.  
The only problem?  She's bad at sales.  This makes sense for her 
character, but rather than searching out a more suitable job, Pam cons 
her way into being the office administrator.  It makes for a good 
episode, but shows that Pam has failed again.
The Office gives
 receptionist Pam Beasley a strong story arc for the first four 
seasons.  Pam slowly gains self-esteem and begins to speak her mind and 
demand more out of her relationships.  She finally decides to pursue art
 seriously and enrolls in a summer graphic design program in New York 
City.  From the first season through the fourth, Pam grows from a woman 
waiting for her fiancé to finally set their wedding date to a woman who 
tries to achieve some of her dreams.  
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| John Krasinski, who plays Jim Halpert, is from Massachusetts! | 
In the episode "China,"
 Pam has a new challenge as the office administrator.  Dwight Schrute, 
who owns the office building, starts making unwelcome changes to save 
money, including un-plying the toilet paper and installing irritating 
motion sensors.  Pam threatens to find a new office space for Dunder Mifflin 
to rent, but Dwight calls her bluff when she claims to have found a 
better office for less money.  She confesses to Jim that she's afraid of
 failing again, just like she did at art school and sales.  After 
Dwight's assistant slips Pam a book of city building regulations, Pam 
proves that Dwight is breaking laws and thus everything in the office 
goes back to normal, thanks to Pam.  A success - except that Dwight 
overhears Pam discussing how upset she would be to fail again, and so 
decides to give her the leverage she needs to win.  This episode ends by
 proving that Pam would have failed again without Dwight's pity and 
help.  Pam is no longer the strong woman that the first four seasons had
 created, but a woman whose career has become a series of failures.  
She's given up on her goal of being an artist - her paintings and 
drawings are rarely mentioned after she leaves art school. 
What does that leave the viewer with?  Sure, The Office is
 a comedy that focuses on somewhat ridiculous characters.  However, Pam 
and Jim's story lines have always been the more serious counterparts to 
Michael Scott's shenanigans.  After Pam's emotional growth, it is 
disappointing to see her fail again and again.  In the current season (I mean, I love James Spader but I still think the show should have ended when Steve Carell left),
 Pam is pregnant with her second child and her role seems to be as a 
motherly-type keeping peace amongst the coworkers.  While it is admirable that Pam is a working mom, it still seems that she gave up on her career goals too easily.  Finding Pam a job 
outside of Dunder Mifflin/Sabre could arguably change the dynamics in 
the office and make it more difficult to incorporate one of the main 
characters into the show, but the writers continue to find ways to 
include Ryan Howard, a character who started as a temp and eventually 
became the company's youngest VP (briefly, before the court-ordered 
community service).  I realize that The Office is about somewhat 
dead-end jobs at a paper company, but the writers had gotten Pam so far 
since the first season.  Did they really need to make her fail quite so 
often?
Anyways,
 in order to stop dwelling on the female characters I'm less pleased 
about, the next few posts will be about the women on TV comedies and 
dramas that are strong, powerful, and don't make the little social 
historian in me start mumbling during prime time.  Feel free to send in 
your suggestions!
Who are your favorite TV characters, male or female?
Which ones don't you like as much?
 What TV shows should I watch now that I'm caught up with Mad Men?


 
Um, if you have an HBO account, TRUE BLOOD!! (don't judge)
ReplyDeleteSookie is pretty much the epitome of good hearted/strong female... with vampires
spot-on!
ReplyDeleteI totally agree with this post! (And also with the Trueblood comment :))
ReplyDeleteALSO: In order to top your John Krasinski connection, I would just like to mention that Jenna Fischer and I are both alumna of Truman State University!